| Coffee’s verse:
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| Deadlocked in the zone, we prone to dip into the unknown
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| Quick to flip if one trip, first we break bread, then break heads
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| Look at all the people runnin’in fear, scared
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| Unwilling to hear what’s said, hide under the shed
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| We lyin’in the filth, grown men layin’in our own beds
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| Pull ourselves up by the bootstraps
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| Hit them curves, dodge the trap
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| Don’t move at a slow pace
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| Hand us a mic, we move the whole place
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| This for each and every hood,
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| Eighteenth Ave, Wedgewood, South side, clean cutz
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| Tell me who on it, tell me what you know that’s good
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| Baller blockin’ain’t an option, that ain’t the purpose of my concoction
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| Releasin’toxins in the abyss, boxin’you in so you don’t miss
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| Me gettin’you rockin', Nashville
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| Proud I’m in it, been a minute
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| Gettin’our due, me and my crew
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| Rep our city, how? |
| bout you?
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| Hittin’curves!
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| Hook:
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| Hittin Curves, shorty, baby, ooo hoo
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| (Dipping in the ride, swerving in the ride)
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| Bridge 1:
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| That’s why we tell them
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| Swerving we ruling we serving
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| Hittin them curves and then we Pushing them verses them curses
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| They must be broken yeah
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| Taking them Tennessee corners
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| And changing lanes cause they
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| Brought us enough contradiction
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| So now we change our position yeah, yeah?.
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| Bonafide’s verse
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| I’m in LaVergne letting the Chevy burn rubber every turn
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| Changing lanes while the body swang heavy to the right
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| Like my life hit them curves swerve as I discern to turn
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| Back down the one way truth and the life
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| I learn lessons every block counting blessings like rocks
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| As I bubble in the struggle in the Classic Caprice
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| Releasing pressure like these woofers in the back of my seats
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| And speaking clearer than these tweeters when I’m over these beats
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| I check the navigation to see what direction to take
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| To lead a generation headed for collision with fate
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| On the darker side in the ride looking through rearviews
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| In full speed searching for a u turn to save you hittin curves?.
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| BRIDGE |