| [Kensington Palace Hotel
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| 1st script reading of «200 Motels»
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| January 18, 1971]
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| It’s a good thing we get paid to do this. |
| I could be in L.A., getting reamed,
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| listening to an Elton John album
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| Don’t even talk about getting reamed. |
| Listen, I’ve been without female
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| companionship for so long, a career as a Jesuit monk was inviting,
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| Ian is starting to look good to me
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| Must be his green velour socks!
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| Just calm down there, Duke. |
| Ever since you left the jazz world to seek fame and
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| fortune in the rock’n’roll industry. |
| ..
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| What do you mean rock’n’roll? |
| This fucking band doesn’t even play rock’n’roll,
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| it’s all that comedy crap!
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| If we play any rock’n’roll we might make some money. |
| I wouldn’t mind playing
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| some rock’n’roll, uh, I like classical music too, but that doesn’t mean I
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| wouln’t enjoy playing rock’n’roll. |
| I mean, it’s not very challenging,
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| intelectually, but I wouldn’t mind if we did some rock’n’roll. |
| We could vote
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| on it
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| Vote on it, for what? |
| To tell Zappa we wanna play some good music instead of
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| this comedy shit. |
| .. ?
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| I wouldn’t mind playing some more rock’n’roll, it’d be more commercial,
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| sort of heavy, four parts harmony, group vocals and a very heavy beat,
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| that the kids could enjoy it. |
| I think we’d definitely make more money that way
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| Maybe after we finish the movie we could play more rock’n’roll
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| Yeah! |
| We all quit and form other groups and play more rock’n’roll
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| And more blues, extended blues, blues that’s still down and funky,
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| even though you extended it. |
| George knows what I’m talking about, don’t you,
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| George?
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| Leave me out of it, I come from the jazz world. |
| I know all about these groups
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| that get formed and disappear, with their extensions waving in the moonlight
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| You just calm down there, Duke
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| Maybe we could all form a group, we can elect a leader. |
| .. Howard. |
| ..
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| we can call it Howard Kaylan World.
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| We wouldn’t have to have any leader
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| We could just jam a lot
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| There was have to have a really heavy beat and be really commercial so the kids
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| could enjoy it
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| I want to get laid! |
| I’m so horny I can’t stand it!
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| Listen, if you think for a minute that anybody likes this comedy music we’ve
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| been playing you’re crazy. |
| That’s why you don’t get laid, who wants to fuck a
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| comedian! |
| None of these girls can take you seriously
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| Hey, man, you should be careful talking about that kind of stuff
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| Why, does he listen?
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| He always listens, he’s always watching and listening to all the guys in the
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| band. |
| I’ve been in the band for years and I know, he always listens, believe me
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| That’s how he gets his material. |
| He listens to us being natural, friendly,
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| humorous and good-natured, then he rips us off, sneaks off in the secret room
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| someplace and boils it in ammonia, and gets it perverted. |
| Then he brings it
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| back to us in rehearsal and makes us play it
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| I’ve been in the group for years and let me tell you that is exactly,
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| that is precisely what he does: He steals all his material
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| And the stuff he doesn’t steal, Murray Roman writes for him. |
| Listen,
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| without us he’d be nothing! |