| FZ: You know, a lotsa of people don’t bother about their friends in the
|
| VEGETABLE KINGDOM. |
| They think, «What can I say? |
| What can a person who is new to
|
| the Midwest say to a vegetable?»
|
| Howard: Suss it out, wankers!
|
| Mark: Suss it out, wankers!
|
| Mark & Howard: Suss it out, wankers!
|
| Jeff: Suss it out, wankers
|
| FZ: Suss it out, wankers!
|
| Mark & Howard: Suss it out, wankers!
|
| Aynsley: Suss it out, wankers. |
| .. what’s the matter with you?
|
| Howard: Aynsley Dunbar!
|
| FZ: And after sussed it out, wankers. |
| .
|
| Mark: Ok
|
| FZ: You go and get yourself a big bottle of champagne!
|
| Mothers: AAAH!
|
| FZ: Find yourself a young vegetable victim!
|
| Mothers: Yeah!
|
| FZ: Take your young vegetable victim. |
| .. Step one, now this is very important,
|
| you have to do it exactly this way. |
| Bring the band on down behind me, boys,
|
| this gets technnical! |
| First: You get a Polaroid camera. |
| .
|
| Mothers: Yeah!
|
| FZ: And you make one good jump, from a balcony to another balcony on the
|
| seventh floor of the Sheraton Hotel in Jacksonville
|
| Howard: Aynsley Dunbar, ladies and gentlemen
|
| FZ: When you land on the other balcony with your Polaroid camera,
|
| something like this. |
| .
|
| Mothers: Heeey!
|
| FZ: Shoot off one good flashbulb catching. |
| .. The agent will immediately turn
|
| around and say, «You know, I sure would like to have that photograph.
|
| «You walk up to the agent and say, «Well, ha, funny you should mention it,
|
| I have this photograph here and just about time to develop it, yes it turned
|
| out great, it shows both of you here, and I’ll give you this photograph if
|
| you’ll give me the munchkin vegetable that you’re with in order that I might
|
| make a few more pictures. |
| .. «So you make a quick trade, holding the
|
| champagne bottle in abeyance until the rest of the members of your band have
|
| jumped over the same balcony. |
| .
|
| Mothers: Eeeeeeeeh!
|
| FZ: And come in and taken their places around the bed where the munchkin
|
| vegetable is laid out, posing: Leg up in the air and legs down, legs to the
|
| side. |
| Then, after some deft manipulation of the vital parts of the munchkin
|
| vegetable. |
| .
|
| Jeff: Hey, I want some baby to hold my tool and squeeze it
|
| FZ: With one masterful stroke -you might use several masterful strokes- shake
|
| up the magnum of champagne to a foamy froth, holding your thumb over the end of
|
| it. |
| .
|
| Aynsley: No, no, no. |
| .. not the cork in, Frank, you pull the cork out. |
| ..
|
| Suss it out, wankers!
|
| Howard: They’re a hip audience, Frank, they know what’s gonna happen next!
|
| FZ: After the band has given you their complete attention, and is watching
|
| closely for the precise moment of the detonation of the alcoholic beverage into
|
| the vital organ, you give a sort of casual glance around the bedroom of the
|
| Sheraton, a suave little smile and wink one eye, adjust your bow tie,
|
| and just stuff it right in there!
|
| Mothers: Aaaah!
|
| FZ: And then you tell 'em how you feel. |
| You whip it right out, take a snort off
|
| of it. |
| .
|
| Howard: How do you feel?
|
| Mark: Aynsley Dunbar. |
| .
|
| FZ: No, no, no. |
| . |