| FZ: Hello? |
| Welcome to Carnegie Hall, ladies and gentlemen. |
| I hate to ask you
|
| this, but if you could just be patient for a couple of minutes while we tune up
|
| the synthesizers it’ll sound better
|
| Howard?: Ay!
|
| FZ: It says, «Uncle Meat.» |
| Thank you for this. |
| Ready? |
| All right.
|
| Contrary to the way we normally run our program— Can you put a little bit more
|
| of my microphone on this monitor, please?—Wut-tut-tut. |
| .
|
| Mark?: Talk, talk. |
| .
|
| FZ: Hello. |
| One. |
| Ordinarily, when we start off a show, we start off with
|
| something really zippy and snazzy so that you get right into it, you know?
|
| Mark: Three Dog Night
|
| FZ: Yeah. |
| But I think this evening, because this is such an auspicious
|
| occasion—the desecration of Carnegie Hall itself—that we are actually going to
|
| deviate from our format, ladies and gentlemen. |
| Now some of you might find this
|
| a little bit too deviated. |
| However, the first selection that we are going to
|
| perform is a new piece—it's receiving its New York premiere at this time,
|
| and it’s uh. |
| .. You may think it’s shitty when you hear it. |
| What are you
|
| clapping for now? |
| Well, but it’s nice to know you’re on our side
|
| Audience: Yeah!
|
| Howard?: Right on, brothers and sisters. |
| Woodstock
|
| FZ: Just send those groovy vibes right on up here to the stage. |
| Just blow 'em
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| right on up here
|
| Mark?: I’m eighteen
|
| FZ: Now, listen. |
| .
|
| Mark?: Larry Fischer
|
| FZ: Up your own alley. |
| Hah, hah. |
| .
|
| Mark?: Wild Man Fischer, ladies and gentlemen
|
| FZ: The reason why some of you might find this a little bit too devious is
|
| because it’s in German |