| Here I go again, ready to flow again.
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| Better hold my mic, don’t blow again.
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| Warned by alarms when the mic gets warm.
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| Crowd’ll get critical, can’t keep calm.
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| Jet for the exit, why hang around?
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| Words that I found make the mic melt down.
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| If you stay, better cooperate, cuz I amputate,
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| and whoever don’t break, I’m-a suffocate.
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| Leave 'em with asthma, you better pass the
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| mic to the massacre master who has the
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| power to build and destoy at the same time,
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| so track the wack at the right, and exact could shine. |
| (?)
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| Meant to beat overheat, but I won’t stop,
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| so evacuate the spot when the mic’s hot.
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| Switch it from one hand to another,
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| and that’s a hint, my brother, run for cover.
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| Cuz I’m armed, my brain contains a bomb,
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| as if I escaped from Vietnam.
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| Some people label me lethal, lyrics I made then put beats to.
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| Format, collapse, your lungs twist your tongues,
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| you can’t bump your gums off of none of the drums.
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| Words that I made’ll create an iller scene,
|
| Eric B. is the fly human being on the guillotine.
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| Hook 'em up to a respirator, cuz it’s the Mista Suffocator.
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| What I write is like shovin’a mic down your windpipe.
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| Don’t let him bit rhymes Rakim write.
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| No mic-to-mouth resuscitation is neccessary;
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| no obituary, and if they’re left, they’re buried.
|
| As it strikes on the same mic twice and then,
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| cut it on, and I’m-a strike again.
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| I meditate off the breaks, till the place shakes,
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| then I make rain, hail, snow and earthquakes.
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| Speak the truth, tear the roof off the mother.
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| The stage is stompin’grounds -- run for cover.
|
| (scratching)
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| Evacuate the building, danger, cuz I came to explain the
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| strategy that’ll be tragic automatically,
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| havin’me to cause another catastrophe.
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| All you gotta do is give Rakim the
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| microphone and the crowd’ll yell Timber.
|
| Buildings collapsin', rappers gettin’trapped in,
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| areas closed off, no one gets back in.
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| So set up roadblocks, barracade the doors,
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| fade, put a detour sign on the stage.
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| Hold my microphone as evidence, the weapon I use and been usin’ever since
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| the days in the park when, rap was an art then.
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| Plus I was dominant, determined and dark-skinned.
|
| Makin’it hard to walk the streets at night
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| for those who talk the weak beats on the mic.
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| Whoever’s livin’large better wear camouflage.
|
| Prepare to be bumrushed when I yell charge.
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| Surround by sound of the beat-down another brother,
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| this is stompin’grounds, run for cover.
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| Wheels or foot, better not stay put.
|
| Whole place shook till the mic’s unhooked.
|
| Then you’ve got seven minutes to vacate the premises.
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| Lyrics’ll echo soon as the break finishes.
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| Don’t act wild, single file to the door.
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| No need for an encore, just clear the floor.
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| Cuz my mic’s about to self destruct,
|
| the stage’ll blow up when my rhymes erupt.
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| So make sure the place is cleared out and abandoned,
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| cuz minutes from now it won’t be standin'.
|
| Then send out and A.P.B.: All Poets Beware of a brother like me.
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| Now how many rhymes could your man manufacture?
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| How many bitin’MCs can I capture?
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| Trap rappers who try to run off at the mouth;
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| take over their route, play 'em out like a Cub Scout.
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| So leave troopin’for MCs at war,
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| and if it’s a battle let the crowd keep score.
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| Cuz me and the drummer make drama, and that’s word to mother… run for cover.
|
| (scratching) |