| Sadeness - Part I (original) | Sadeness - Part I (translation) |
|---|---|
| Procedamus in pace | Let us proceed in peace |
| In nomine Christi, amen | In the name of Christ, amen |
| Cum angelis et pueris | With the angels and the children |
| Fideles inveniamur | May we be found faithful |
| Attollite portas, principes, vestras | Lift up your gates, o princes |
| Et elevamini, portae aeternales | Be lifted up, you eternal doors |
| Et introibit rex gloriae | And the King of glory shall enter |
| Quis est iste Rex gloriae? | Who is this King of glory? |
| Sade, dit-moi | Sade, tell me |
| Sade, donne-moi | Sade, give it to me |
| Procedamus in pace | Let us proceed in peace |
| In nomine Christi, Amen | In the name of Christ, amen |
| Sade, dit-moi | Sade, tell me |
| Qu'est ce que tu vas chercher ? | What are you searching for? |
| Le bien par le mal ? | Good through evil? |
| La vertu par le vice ? | Virtue through vice? |
| Sade, dit moi pourquoi l'evangile du mal ? | Sade, tell me why the gospel of evil? |
| Quelle est ta religion ou' sont tes fide'les ? | What's your religion, where are your faithful? |
| Si tu es contre Dieu, tu es contre l'homme | If you're against God, you're against man |
| Sade, es-tu diabolique ou divin ? | Sade, are you devilish or divine? |
| Sade, dit-moi (Hosanna) | Sade, tell me (Hosanna) |
| Sade, donne-moi (Hosanna) | Sade, give it to me (Hosanna) |
| Sade, dit-moi (Hosanna) | Sade, tell me (Hosanna) |
| Sade, donne-moi (Hosanna) | Sade, give it to me (Hosanna) |
Lyrics Sadeness - Part I - Enigma
Song information On this page you can read the lyrics of the song Sadeness - Part I , by -Enigma
Song from the album: The Platinum Collection
In the genre:Нью-эйдж
Release date:19.11.2009
Song language:French
Record label:Distributed by Polydor;
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About the song
"Sadeness - Part I" opens like a sacred rite, its Latin lines drawn from liturgical and processional language — walking in peace, in the name of Christ, calling on the faithful and the angels to lift the eternal gates so the King of Glory may enter. It's solemn, ceremonial, almost monastic in tone.
That gravity is immediately undercut by a French voice addressing the Marquis de Sade directly, demanding answers: what are you searching for, good through evil, virtue through vice? The questions probe why he preached an "evangile du mal," who his followers are, whether opposing God means opposing humanity itself — and finally, whether he is devil or divine.
The juxtaposition of chant and interrogation gives the track its unsettling power, placing worship and transgression side by side. It doesn't resolve the question of Sade's nature, leaving the listener suspended between reverence and provocation, sacred sound and profane subject.
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