| Okay, now let me take it back to this Friday, we had a show that night
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| Step to sound-check, no one on site
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| No one around yet, yeah, you know what it’s like
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| It’s the renowned rep, when they’re never on time
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| And then five will mean seven, nine will mean eleven
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| This ain’t live. |
| What, did it die and go to Heaven?
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| About to throw it in, wanted to go home
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| Then the sound man, looking like one of the Ramones
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| Arrived, barely alive smelling like death
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| In his Led Zepplin shirt, jeans tighter than Bec Cartwright
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| He was just another bar flight rock pig
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| Living for the moment, living for the rock gig
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| Set the stage, two mics, two decks
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| Check one, two, check, check, one, two, check!
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| I reckon I need some volume
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| We want everyone to hear, yeah the whole room, the whole room
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| And yo Trigga, what the level on your decks like brother?
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| Oh, yeah, now let’s try cranking, I need more beat
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| It’s too low, man
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| Get them out of their seat, quicker than Lindsay Lohan movies
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| Move like I’m punching Bruce Lee
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| (Haha, nah, man, don’t you mean Jackie Chan?)
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| (Oh, What? Jackie Chan, Bruce Lee?)
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| Hey! |
| What the fuck you trying to do with me, man?
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| It’s nothing new to me like I Love Lucy
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| Man, I gotta shoot through, but it’s sounding thin
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| Before I go, can you give me one more thing?
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| Turn it up sound man, turn it up
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| Turn it up sound man, turn it up
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| Keeping it moving from the back to the front
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| Keeping it moving every track that we bump
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| Turn it up sound man, turn it up
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| Turn it up sound man, turn it up
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| Keeping it moving from the back to the front
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| Keeping it moving, gotta jump, gotta jump
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| Oh, I arrive at the venue
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| The ratio, ten dude to three girls on the menu
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| Men who tend to wanna borrow my ears
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| And have a conversation like I haven’t seen 'em in years
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| It kills me and I ain’t trying to be rude
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| But you’re ruining the mood like the anorexic nude
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| And the rumour was, the room was jam-packed
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| 'Cause, I ransack my set like Mad Max
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| But I stand back, 'cause next is Layla
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| And she steps to the stage with the flavour extinct
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| As a Saber-Tooth Tiger, but none live her
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| The only thing that she might need, her mic up
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| So, I’m right up, head to the sound desk
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| Ask him to turn it up, where we had it at sound check
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| Told me to sit down, let him do his job
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| But this ain’t Woodstock and this ain’t no rock
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| Turn it up sound man, turn it up
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| Turn it up sound man, turn it up
|
| Keeping it moving from the back to the front
|
| Keeping it moving every track that we bump
|
| Turn it up sound man, turn it up
|
| Turn it up sound man, turn it up
|
| Keeping it moving from the back to the front
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| Keeping it moving, gotta jump, gotta jump
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| Check, one, two, one, two
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| Ladies and gentlemen, welcome to the stage my man D-Rapht
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| The Pale Rider, my Brother Grimm
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| Make some noise!
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| Yeah, when I step to the stage I’m a different man
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| Let me kiss your miss' hand, she’ll go missing, man
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| Listen and pay attention, no tension here
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| Hanging on my every word, every sentence clear
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| Then I hear you, I seem to be getting feedback
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| Nah, not now, nah, I don’t need that
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| Sound man just had a rehab relapse
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| Drinking on my rider, drinking all my free Jack Daniels
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| And can you believe this clown?
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| Now no one wants to jump like a ring rebounds
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| And now I’m drowned out by the sound of the bass
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| Wait, stop, kill it, nah wait, nah mate
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| Turn it up sound man, turn it up
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| Turn it up sound man, turn it up
|
| Keeping it moving from the back to the front
|
| Keeping it moving every track that we bump
|
| Turn it up sound man, turn it up
|
| Turn it up sound man, turn it up
|
| Keeping it moving from the back to the front
|
| Keeping it moving, gotta jump, gotta jump
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| «Turn it up, turn it up»
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| «Turn it up, turn it up»
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| «Turn it up, turn it up»
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| «Turn it up, turn it up»
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| «Turn it up, turn it up»
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| «Turn it up, turn it up»
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| «Turn it up, turn it up»
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| «Turn it up, turn it up» |