| Mista, twista, get ya every single time when I rhyme like I know so I flow
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| with tha gifted tounge, an encriptic rung
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| new phases to enter the mazes-play this
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| two times a day with the dayo
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| day, hey, hey ho with a day light come
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| I plum forgot what a wack rhyme was
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| because I buzz like a bee in the ears of my peers so they know and I know we all know day hey yo-
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| day light come and me wanna go home-
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| cool
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| no tool, no Smith and Wesson
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| just an oppisite so I can pop a bit of shit on the mic when I get on the mic
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| pee-pee--pee-ping!
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| I ricochet a bit on the mic
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| and I like it-
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| Just like the Gulf or World War II
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| d-e-l will say and straight slay anyone who
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| makes advances when I make um heel
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| peel off the anwsers when i’m drilling in your skull like a beaver
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| binito-but I ain’t finished
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| till I like to flip side rhymes cause the rhythm gets deminished.
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| Casual
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| I would if I could but I ain’t cause I’m dank
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| time for me to lay down the law: who’s raw?
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| you saw the blues and the shoes of the writer
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| stronger than a siskel and your like a side bar
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| artery-
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| try to win the lottery before you try to slaughter me because I’m not the g to be stepped to let loose negative bones
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| that my rep crew I let loose negative tones
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| so you better get flows to counter act what we’ve done
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| proceed more stunts cause I’m hard like a street, son
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| we go and step back as I wreck shop
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| pronounced to break necks of those who won’t stop
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| artist-the one who does better they ain’t found
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| and if someone else tries to step: I knock that ass down
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| the bigger the batter the bigger the fatter is whenever you figure this nigga is gettin his
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| be real and don’t kill my walk with your next thought
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| and answer that your boss-
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| cause that’s when you lost
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| keep on losing, amusing many tactics
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| I came to earn more green than Saint Patrick
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| and I make backs if you get caught frontin'
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| never bought a Newport but I’m on the button.
|
| Tajai
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| I needs no sugar crisp to get swift
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| so what with two sylabols-it's just the positive
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| Tajai
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| I steals Souls that try to steal my laddin
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| coming to your brain like I would on a sheet
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| I respond with no distraction when I see one
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| fatter than re-run so what’s happennin'?
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| it’s not where you from, it’s just how you come
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| correct my stacks will get rough to bake
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| get phucked enough to my men like idie midie
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| look in the membrane enough because I am a righty
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| fight these-
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| you’ll catch follies if you folly
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| I make shanks to stick fakes I’m dank and you’re quaint
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| wack shit puritian surround like ineffectual
|
| I get um-blunt style like the heart of homosexuals.
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| not for sex when you cross the intersection you’re damaged
|
| get bruised knuckles and what you look for
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| bad ones
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| busted a few much more than two
|
| a slew of sold ass phonies,
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| bust their cohonies
|
| try,
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| you’ll catch my Vans in your highnee
|
| that’s if my bankrupt slips though I doubt
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| how do you want to convert me in time
|
| but I seize more than those candies-nothing gets by me so play them tracks-
|
| and you’ll go out like beta max
|
| next to Tajai cause I kicks the greater stacks.
|
| Opio
|
| Be deep boom-
|
| bob your head to this, mischievous
|
| soul socidle,
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| idle chatter never slips off the lips of this writter
|
| might not be the greater innovater of the mind scheme
|
| but my style is like the visine: it gets your eyes opening.
|
| this raggedy andy gets dandy like a lion in the meadow
|
| while the teapot blows steam like a kettle
|
| the hip to the hop
|
| I make up flip when I get drastic
|
| stepping with their moods but their flows are pornographic
|
| and man with the vocal making the locals go insane
|
| the regal rhyming speech substan-nance for the brain
|
| get frisky with the phrases like you praises like a deity
|
| the one with liberated souls
|
| -control for infinity
|
| got style much slimma-kids'got a body child
|
| Hieroglyphics gonna flip the rhythm for the meanwhile
|
| articulate my lingo as I linger in my medium of speech
|
| and I could keep poppin cause I’m trying to teach
|
| a smidgen of religion to the fraudulant
|
| listen, pay attention I’m the master of this convention
|
| kick the wigidy while ye style be stutering |
| just like smiley
|
| skipping singles down your satur-dreams to bad it seems you try me and I can make it play down into extreme conscienceness
|
| plus your wondering extinguish all them myths
|
| optimistic, stylistic, mysticness I’m swift like murcury
|
| nursing me I show I’ve got the gift.
|
| People call me Snupe: that’s because I’m living fat
|
| People call me nasty: that’s because I eat the cat
|
| and I swing a bat to knuckle heads, leaving devils dead
|
| never said
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| never cause I cock my head
|
| better dreadlock on the top of my head,
|
| never flakky
|
| if this was a peel then Bodasa couldn’t shake me or bake me cause Betty Crocker’s oven isn’t hot enough
|
| if you wanna spread the skins
|
| then I got alot of stuff
|
| got it? |
| tough-got enough-gotta lick it twice
|
| why step? |
| here’s a fly rep
|
| I kept my step ladder
|
| I had a fatter flow to be hittin on now it’s just a smidgen like a pidgeon I be shittin’on
|
| sittin on a futon…
|
| slip the larger roots on
|
| I’m the type of brotha that ya have to keep ya boots on opps-
|
| I’m sorry cause I didn’t mean to dis you
|
| I could hook a hoe and make um blow like I was tissue
|
| mary had a little lamb, Adam got a lot of doe
|
| looking in my garden,
|
| schylar got a lotta hoes
|
| Yo-I didn’t mean hoes, yo I meant women
|
| If she got the pooh, I got the trunks: let’s go swimming
|
| dip dip dive as I’m live
|
| moving in on the top of my jock you don’t stop
|
| here a pimp there a pimp everywhere a pimp pimp
|
| this A-plus grades the quiz-so there it is. |