| Within a facade, caught slipping
|
| But you ought to
|
| Pause for consideration
|
| He’s got his finger on the trigger of a generation
|
| The clock (clock)'s ticking
|
| As the plot (plot) thickens
|
| And we’re lost (lost)
|
| Within a facade, caught slipping
|
| But you ought to
|
| Pause for consideration
|
| He’s got his finger on the trigger of a generation
|
| Blow
|
| First things first
|
| Hit them with the mean verse
|
| Something colorful with imagery like Dreamworks
|
| You paint pictures but they’re eye sores
|
| Try cyanide mixed with hemlock, it’s to die for
|
| If I applied force I’d knock them off their high horses
|
| Lace beats with the same product Richard Pryor snorted
|
| Infiltrate illuminates and creep inside their fortress
|
| With the townsfolk, grab pitchforks and light their torches
|
| Heads are gonna roll, tall tales will be told
|
| Placebo’s for patriots, all hail the eagle
|
| I can’t call it with the flip of a coin
|
| But if you take me too serious you’re missing the point
|
| I’m Deca uno
|
| Robinson Crusoe
|
| The unsung conundrum can body slam a one ton sumo
|
| As a young chap on Colfax with no dough stacked
|
| I went up in Diana Ross raw, caught the soul clap
|
| Big brother tapped my phone
|
| That’s my own skull and bone
|
| Chaperone, and turn the planet Earth into a battle zone
|
| I’ll shake the pillars of the Parthenon in Babylon
|
| Slip Bonita Applebum the magic wand and travel on
|
| The clock (clock)'s ticking
|
| As the plot (plot) thickens
|
| And we’re lost (lost)
|
| Within a facade, caught slipping
|
| But you ought to
|
| Pause for consideration
|
| He’s got his finger on the trigger of a generation
|
| The clock (clock)'s ticking
|
| As the plot (plot) thickens
|
| And we’re lost (lost)
|
| Within a facade, caught slipping
|
| But you ought to
|
| Pause for consideration
|
| He’s got his finger on the trigger of a generation
|
| The way I speak, you think I ate a bran muffin
|
| With a prune shake
|
| Mixed with magnesium citrate
|
| 'cause I got shit for days
|
| My main objective’s to control the globe
|
| I made an addendum
|
| And stated my intentions on the Georgia Stones
|
| Impunity; |
| socio-political immunity
|
| No scrutiny from the community
|
| 'cause I’m wooing them musically
|
| With mass hypnosis using, ignorance
|
| Masquerading in a veil of moral value
|
| Like a Tyler Perry movie
|
| Weapons of mass distraction
|
| Media, fashion
|
| Employment vanishin
|
| Epidemics, like gas and federal taxes
|
| Internment camps for inevitable clashing
|
| Housing rebels and cats serving for questionable actions
|
| Intellectuals vanquished
|
| Knowledge: the key to the free mind
|
| We threw religion on it’s head and made you believe it was a peace sign
|
| You’re a docile, benign feline
|
| Standing in the street
|
| And your government’s a teen in a Nissan
|
| The regime will fall to pieces, if the people lock arms
|
| Swing and leave you nigga’s leaking like Vietnam Tom
|
| Alias is Jacob from the ancient codex
|
| Became a rock in the sling, shot
|
| At baphomet’s forehead
|
| The underdog
|
| The clock (clock)'s ticking
|
| As the plot (plot) thickens
|
| And we’re lost (lost)
|
| Within a facade, caught slipping
|
| But you ought to
|
| Pause for consideration
|
| He’s got his finger on the trigger of a generation
|
| The clock (clock)'s ticking
|
| As the plot (plot) thickens
|
| And we’re lost (lost)
|
| Within a facade, caught slipping
|
| But you ought to
|
| Pause for consideration
|
| He’s got his finger on the trigger of a generation
|
| Act one, get ready for action
|
| Got a bad tongue, Samuel L. Jackson
|
| Speaking in prose, reciting Ezekiel
|
| Divine intervention intended to be remedial
|
| On top of the globe, gazing out of the optical
|
| People watching below, it gets rather comical
|
| So, who’s next up to have a go at it
|
| So tragic, fall into a pit that’s Socratic
|
| Take it all in with a fresh breath and smile
|
| Follow a twelve-step program to get next to god
|
| The hot-shots got the whole block going ga-ga
|
| With the paparazzi or more like Chupacabra
|
| Gossip girls chatter their teeth like «who's he?»
|
| Lace lyrics and get Belushi with a loose leaf
|
| Heavy duty shit I always go back to
|
| Pay a visit to the gypsy with the gold-capped tooth
|
| Come on and dare me
|
| I get my cut like Martha Stewart, culinary
|
| He’s a rock in a modern day Huckleberry
|
| Turn my back to the wackness I seen on the set
|
| They’re knocked-up, they’re just a placebo effect
|
| The clock (clock)'s ticking
|
| As the plot (plot) thickens
|
| And we’re lost (lost)
|
| Within a facade, caught slipping
|
| But you ought to
|
| Pause for consideration
|
| He’s got his finger on the trigger of a generation
|
| The clock (clock)'s ticking
|
| As the plot (plot) thickens
|
| And we’re lost (lost)
|
| Within a facade, caught slipping
|
| But you ought to
|
| Pause for consideration
|
| He’s got his finger on the trigger of a generation |