| Ah, what a beautiful place.
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| It is so lush and quiet in these walls.
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| It’s a place where the sound really stands a chance of finding its way.
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| And I’m grateful 'cause, man, there are a lot of gigs that’s just really hard.
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| The sound doesn’t stand a chance.
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| A lot of times there’s a gig that’s between somewhere and somewhere else.
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| You really wouldn’t go there to play it, but the booking agent says «Well
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| you’re on your way. |
| Why don’t you stop and play, you know, the Terminal Tavern.
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| As my friend Gamble would say, «What a skull orchard.»
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| I mean imagine straining good, fine art sensibility through that veil of
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| chicken wire.
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| It’s the kind of place where you gaze about you at those walls of pecky Cyprus
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| and pine wood adorned with frontier memorabilia and mint-condition tire tool
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| sets.
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| And the ceiling under slung with fish net encrusted with detritus and streaming
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| down through the steaming midnight air, a million shattered dreams that dangle
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| like declensions of despair.
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| And the daily drunks just line the walls like lemmings in repose. |
| The festering booze assaulting their entrails, like time-release suicide.
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| They’re stuck to that sticky floor and they’re not moving.
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| And you think, «What do they need?»
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| Well, I don’t have that.
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| What have I got?
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| I’ve got an acoustic guitar, it’s not enough.
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| I’ve got words.
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| I wonder if they stand a chance to be heard.
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| Maybe music doesn’t stand a chance.
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| I mean, I can make sound.
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| I have vocal chords.
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| I have strings.
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| I can make sound.
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| Who needs sound?
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| We need music and music is much bigger than that.
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| Music is timing with a capital «T.»
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| Music is hearing a song that sounds like your song, 'cause it’s just what
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| you’ve been dreaming of or thinking of, or praying for.
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| Suddenly it’s speaking right to you.
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| And sure, there’re all these other people here but they’re just superfluous.
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| It’s your song and it was meant just for you.
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| It hits home and it’s real, 'cause it’s coming from some place much bigger.
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| But in that place you look around and you think, «Oh man there’s no chance for
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| this to happen. |
| There’re so many distractions.» |
| There’s always distractions.
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| All you can do is send it out.
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| I think Sting’s analogy of songs is a great one saying, «It's a message in a
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| bottle.»
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| You take all your best hopes and dreams and send it out in a bottle.
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| Toss it in the ocean.
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| Whoever gets it and when they get it, well it has more to do with the ocean
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| than it has to do with you.
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| That’s good, the ocean can be trusted, if the timing is right.
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| Send it out as best you can. |