
Date of issue: 07.04.2002
Song language: English
The Terminal Tavern |
Ah, what a beautiful place. |
It is so lush and quiet in these walls. |
It’s a place where the sound really stands a chance of finding its way. |
And I’m grateful 'cause, man, there are a lot of gigs that’s just really hard. |
The sound doesn’t stand a chance. |
A lot of times there’s a gig that’s between somewhere and somewhere else. |
You really wouldn’t go there to play it, but the booking agent says «Well |
you’re on your way. |
Why don’t you stop and play, you know, the Terminal Tavern. |
As my friend Gamble would say, «What a skull orchard.» |
I mean imagine straining good, fine art sensibility through that veil of |
chicken wire. |
It’s the kind of place where you gaze about you at those walls of pecky Cyprus |
and pine wood adorned with frontier memorabilia and mint-condition tire tool |
sets. |
And the ceiling under slung with fish net encrusted with detritus and streaming |
down through the steaming midnight air, a million shattered dreams that dangle |
like declensions of despair. |
And the daily drunks just line the walls like lemmings in repose. |
The festering booze assaulting their entrails, like time-release suicide. |
They’re stuck to that sticky floor and they’re not moving. |
And you think, «What do they need?» |
Well, I don’t have that. |
What have I got? |
I’ve got an acoustic guitar, it’s not enough. |
I’ve got words. |
I wonder if they stand a chance to be heard. |
Maybe music doesn’t stand a chance. |
I mean, I can make sound. |
I have vocal chords. |
I have strings. |
I can make sound. |
Who needs sound? |
We need music and music is much bigger than that. |
Music is timing with a capital «T.» |
Music is hearing a song that sounds like your song, 'cause it’s just what |
you’ve been dreaming of or thinking of, or praying for. |
Suddenly it’s speaking right to you. |
And sure, there’re all these other people here but they’re just superfluous. |
It’s your song and it was meant just for you. |
It hits home and it’s real, 'cause it’s coming from some place much bigger. |
But in that place you look around and you think, «Oh man there’s no chance for |
this to happen. |
There’re so many distractions.» |
There’s always distractions. |
All you can do is send it out. |
I think Sting’s analogy of songs is a great one saying, «It's a message in a |
bottle.» |
You take all your best hopes and dreams and send it out in a bottle. |
Toss it in the ocean. |
Whoever gets it and when they get it, well it has more to do with the ocean |
than it has to do with you. |
That’s good, the ocean can be trusted, if the timing is right. |
Send it out as best you can. |
Name | Year |
---|---|
Waffle House | 1997 |
Start With the Ending | 1999 |
Get It out of the Way | 2002 |
Show The Way | 1993 |
Eye Of The Hurricane | 1988 |
Hold It Up To The Light | 1993 |
Good Together | 2002 |
That's What The Lonely Is For | 1993 |
Kindness | 1997 |
Spin | 1997 |
No Far Away | 2002 |
Words Alone | 2002 |
Rusty Old American Dream | 1988 |
Which Way The Wind Blows | 1988 |
Lay Down In Your Arms | 1988 |
Miss You When You Go | 1988 |
Still Life | 1988 |
Ivory Tower | 1988 |
Fearless Love | 2005 |
Pop Out World | 1988 |