| Never has it been so sweet to your ear
|
| So lend it here and let go your fear
|
| And give a green light to the man on the mic
|
| And keep this beat cause it’s just my type
|
| And I’ll ride the rhythm like a black cowboy
|
| And I’ma get busy for y’all to enjoy
|
| Whether dancefloor, jeep, or the comfort of your home
|
| I’m kickin somethin out your back that rhymes with comb
|
| Flippin the script, because I used to be with Stet
|
| But when shit got heck, had to step and keep the rep
|
| Like a forty ounce brew, leave it out it gets flat
|
| So I’m comin freely in ninety-three with the fat
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| Okedoke supportin, a shoutout to the Hortons
|
| And Burrells for supportin all the wars that we fought in
|
| And now it’s time for me to sorta claim my fame so
|
| Please don’t ask the question «How low can you go?»
|
| And as for traditional rappers and MCs
|
| The Godfather sings please please please
|
| To your parents, so I’ma sing a song to you
|
| You’re either friend or foe, so whatcha gonna do
|
| Cause I’m
|
| (flowin in file with a new style) -- 2X
|
| In ninety-three I’m (flowin in file with a new style) |
| Give it to me I’m (flowin in file with a new style)
|
| A special shout goes out to East New York
|
| Brownsville, Bed-Stuy, Crown Heights, Redhook, Ft. |
| Greene
|
| Styles upon styles, but I don’t think so
|
| Cause people only rock one style at a time
|
| If you with it, as long as the Daddy has been
|
| You learn that people gotta p-ay for the rhyme
|
| They called a one eighty seven on a undercover cop
|
| But the vest was bulletproof, so the cop didn’t drop
|
| My brother Ice-T couldn’t take it no more
|
| So he got with Sister Souljah and they bumrushed the store
|
| Cube was inside yellin, «Dirty Korea!»
|
| Turned around looked for Yo but the cops didn’t see her
|
| Cause she eased to the back after checkin around
|
| To get with Chuck, Norm, and Flav to Shut Em Down
|
| News caught on, but Don’t Believe the Hype
|
| Only fools would believe that Rakim is on the pipe
|
| As we stomp to the 90's singin songs of Tennessee
|
| Me and Luke’s sippin daiquiris in Miami
|
| And we’re rollin, couldn’t keep a good rap down
|
| And if it hurts ya, we don’t wanna nurture |
| That of which you fear, so I’ma leave it up to you
|
| Is it a new Daddy-O, or Daddy-O gettin new?
|
| I know you thought that if I kept back
|
| I would stick to producin so the wack would get fat
|
| But no way, no how, and no cigar
|
| So do I call out your name or do you know who you are?
|
| Cause I’m
|
| (flowin in file with a new style) -- repeat 2X
|
| In ninety-three I’m (flowin in file with a new style)
|
| Bustin em up I’m (flowin in file with a new style)
|
| Now break it down for me
|
| «Oh, Daddy, oh, Daddy, where have you been?»
|
| Well I built a studio in Brooklyn
|
| And as far as rappin, no I didn’t give up hope
|
| And yo Erick and Parrish, Das EFX is dope!
|
| And to Muggsy, comin out of 7A3
|
| Props on Cypress Hill and the House of P
|
| And though I never met him, and Flint is not my home
|
| Shout out goes to the brother with the Breedy on the chrome
|
| And yes I get with this, so Black Sheep is a fave
|
| And to X-Clan thank you for the road that you paved
|
| To the Abstract, Phifer, and the True Fu-Schnick
|
| And a LONG shout out, goes out to Slick Rick |
| I still love ya Biz, but clear ya samples bro
|
| And to Big Treach and Naughty, keep talkin bout the ghetto
|
| To CL and Pete makin beats for the streets
|
| And to the Main Source, makin fakes pay the cost
|
| To Premier and Guru, and every other crew
|
| Catches wreck, as Showbiz and A.G.'ll say to you
|
| Give it all you got, and take it from your coach
|
| Enemies I’m crushin like a roach, cause I’m
|
| (flowin in file with a new style) -- repeat 2X
|
| In ninety-three I’m (flowin in file with a new style)
|
| For your mom I’m (flowinin file with a new style)
|
| (flowin in file with a new style) -- repeat till fade |