| Well Daskarzine, she was pretty bland
|
| As she stretched out in the corner of the room
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| She was Oh! |
| so lazy with her pistol hand
|
| As her hair hung hot off the loom
|
| A red-eyed Chicken felt like stepping in
|
| But his lines lacked their customary cool
|
| Her conversation flowed like treacle from a tin
|
| And Chicken felt like some kind of fool
|
| Oh Yeah!
|
| Her every move
|
| Is a lesson in street ballet
|
| And they speak her name in cheap hotels
|
| From Turkey to Marseillaise
|
| Seduction seems to hang in the dressing-room air
|
| But no-one knows just who’s seducing who
|
| She puts it out wave after wave
|
| And never seems to miss the slightest cue
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| Outside in the wings
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| The curtain-boys cry lonely
|
| Their one true love is Daskarzine
|
| And for her they’ll all die slowly
|
| Oh babe, she says, we’ve got to die sometime
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| It’s the sweetest thing we do
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| Why not die from month to month
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| With my touch to help you through
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| Now Chicken left the room feeling angry and cold
|
| Young Stetson looked reluctant and lame
|
| Daskarzine had him neatly pidgeonholed
|
| And he was just clinging blindly to his name
|
| I’m Stetson and I ain’t so bad, he kept on saying
|
| But his mind was trapped in some kind of cage
|
| He had failed at the ancient art of role-playing
|
| And was fighting to leave the bleeding stage
|
| On the radio
|
| A tenor saxaphone
|
| Cries sweet jazz poetry
|
| And it breaks on Daskarzine’s facade
|
| Of false serenity |