Song information On this page you can read the lyrics of the song Virtual Needs for Human Requirements , by - Circ. Release date: 14.07.2016
Song language: English
Song information On this page you can read the lyrics of the song Virtual Needs for Human Requirements , by - Circ. Virtual Needs for Human Requirements |
| Manuel — Hello there! |
| Hello there! |
| How are you? |
| Yes, yes… |
| You are here for the virtual haircut? |
| yes, yes… |
| ok… |
| I will go and get Luigi. |
| He will come and cut your hair… |
| I’m Manuel, just stay right there. |
| Manuel — Luigi? |
| (knock-knock) Oh Luigi? |
| he’s present here for your virtual haircut. |
| You’d better come up… |
| Luigi — Grazie* Manuel, I’m coming right now. |
| Manuel — He’s coming up right now and me I’ll go over here and play music, |
| play the guittar because that’s what I do here at the barbershop. |
| Luigi — Ah, it’s so nice to see you. |
| Welcome to the Starkey Cetera Barbershop and our virtual haircut. |
| I’d like to start the demonstration by moving over to your right hand side and |
| picking up this bag. |
| If you just hold still for a second I’ll put this bag over your head! |
| Just like that. |
| The bag over the top of the head… |
| And now, I’ll take the bag off. |
| There we go. |
| The only reason I did that it’s because all of the fancy barbershop do that. |
| What you’re listening to is I move to your right here and very quickly wash my |
| hands |
| Trimmmm-Trimmm (the phone is ring) Manuueeellll could you get that please? |
| Oh, thank you Manuel. |
| Let me finish washing my hands here… |
| just bear with a few more seconds. |
| Ah, yes… |
| As I was saying, all we are doing is using your head as the listening point… |
| and we have two microphones one on either side of the head, in the same |
| position as where your left and your right ears are. |
| Your brain is doing all of the work, telling you where the sounds are coming |
| from… |
| ok… |
| I’ll go and get the scissors… |
| Nice sharp |
| And now as I begin the clipping and I bring the clip close to your ear, |
| very close to the right ear… |
| folow me as I move around the back of the head… |
| to the left ear… |
| and up over the top of the head… |
| okay. |
| Now, you can get the same effect better with the eletric razer, I’ll first |
| bring it to your right ear… |
| And around the back… |
| and on your left. |
| I think that looks wonderful. |
| Manuel, what do you think? |
| Manuel — Ah? |
| Yes. |
| Ah, yes… |
| It looks wonderful Luigi! |
| You do such nice work |
| Luigi — Oh, thank you so much Manuel. |
| Manuel — So fast too. |
| Luigi — Now, as I walk around I just want to tell you only once more that your |
| ability to hear where I am as I walk around the room is simply the amazing |
| power of your brain, calculating the tinny differences or cues in sound |
| intensity and arrival time from two open ears and unlike any other hearing |
| instrument, only one has the digital algorithm that negates on physical |
| presence in the ear to fully restore those differences. |
| And that algorithm is called… |
| CETERA. |
| Oh, thank you, thank you so much for stopping by the Starkey Virtual barbershop |
| Good bye and arrivederte* |
| Name | Year |
|---|---|
| Destroy She Said | 2004 |
| Coming Down | 2004 |
| Don't Think About It | 2004 |
| Revolution Song (Tonight Tonight) | 2004 |
| A Reason | 2004 |
| Electric Love | 2004 |
| Close Your Eyes | 2004 |
| All Night | 2004 |
| Danger | 2004 |
| Somewhere | 2004 |