| Open the doors, let the people in
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| Turn up the mics, let me speak to them
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| Victorious when the evening ends
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| It all starts when the beat begins
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| You’re now fuckin with the show stopper
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| A-l-i the Brother, since «'89's the number»
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| Fuck «another summer,» I’m the world’s most accurate
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| Take the roughest cats and get em passionate
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| Shake awake the walking dead Lazarus
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| With off-the-head narratives, it’s embarrassing
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| I mean, I’m the albino but y’all pale in comparison
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| I’m not arrogant, oh shit, well yeah, I’m arrogant
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| Grab the microphone out your arm so fast I tear a limb
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| Roman fashion, give yo soul a spasm
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| If you don’t know find someone that knows and ask him
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| I’m right in front of ya, tight muthafuckin mic muzzler
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| Who might struggle ya, my shit’s wild like that
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| There’s 8 million ways to stretch words around beats
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| And 6 million rappers be sharin the same three
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| But me takin the time to be creative with mine
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| Touch your soul till I see it in your face when I rhyme
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| And in the two or three seconds it may take to rewind
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| I hold a rapper to the flames until I make him resign
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| Want nobody hold your place in this rhyme, you find a space to recline
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| You’re dead, got to stay breakin your spine
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| Every father, mother, son and daughter send em to me
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| Do not approach the ock without bendin your knees
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| I might be on the stage but my head’s in the streets
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| We settle the beef (when the beats commence)
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| Ladies and gentlemen, Brother Ali bare the resemblence
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| Of Moses freein y’all with sentences, vocabulary venomous
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| Telling domestic horror stories
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| Non-fiction with the majestic oratory
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| Instead of concentratin on strippin the youth naked
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| I give em the truth naked, livin proof for the sacred
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| Unless I’m mistaken there’s like three kind of people
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| Black people and white people and my people
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| I blister MC’s and twist the debris
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| I got a funny knack for bringin kids to their knees
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| Y’all got Christopher Reeve-sized bravery tryin to play with me
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| Have you in fetal positions shoutin «Get away from me!»
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| Every day I see rappers I wanna slap or strangle
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| Around they neck disaster dangles, so that’s the angle
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| Next millennium, same percentage of em are weak
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| Y’all thinkin y’all can rhyme, don’t even come from the streets
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| You got any sense at all, you mean-mug and retreat
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| Or end up a human pinada hung from your feet
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| When I told you you were tight I had my tongue in my cheek
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| And you ain’t lookin at my team, buddy, our huddle is deep
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| Born to hustle on beats, I just have it within
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| If I had any more potential I would have to be twins
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| Cackle and grin when rappers begin to babble and spin away
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| Y’all should pick a day, to it-gay, the off the ick-day
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| I’m a desperado, but I guess that y’all know that already
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| My stick-and-move flow pattern steady
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| The Bro has already dissed rappers of every race
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| Got em together for a «We Are the World» remake
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| If Ali’s fake please take this opportunity to tell he
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| To his face, get your infrastructure erased
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| When I flip damn it I’m fly, kick sand in your eye
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| And tell your record company to eat a shit sandwich and die
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| Ali’s a big teddybear
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| Till they scream, «Stop slammin the car door, that’s my fuckin head in there!»
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| Your teeth are everywhere, I serve your family
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| And write about it in my journal like I’m Mister Belvedere
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| I seldom stare in the sky, only at nighttime
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| Envision endin your mission when I write rhymes
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| History’s never witnessed a legacy quite like mine
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| And the more they try to extinguish it, the more the light shines |