| _By All Means Necessary_
|
| Written, produced, directed, by Blastmaster KRS-One
|
| Mixed, by DJ Doc
|
| And now. |
| it’s TIME. |
| to GET
|
| BDP is in full and total effect
|
| I’m gonna shout out a couple of names
|
| We’re gonna do it like this
|
| DJ Doc. |
| Manager Moe. |
| Ms. Melodie. |
| I.C.U., McBoo
|
| D-Nice. |
| Scott LaRock. |
| KRS-One, I think that’s me
|
| And you know what? |
| I’m down with BDP
|
| So right about this time
|
| You should throw your hands up in the air
|
| How many people got Nike’s on?
|
| If you got your Nike’s on, put your feet up in the air
|
| If you don’t got Nike’s on
|
| I think you need to keep your feet down
|
| Cause the party is live
|
| And we’re in total stereo, yaknowhatI’msayin?
|
| So all the suckers out there that wanna test
|
| It’s time to get
|
| And at this point, we gettin a little stupid
|
| I’d like to say, DJ Doc is in the back chillin out
|
| On the 48-track board without a doubt
|
| Break it down Doc, like this!
|
| I’d like to give a shout out to who? |
| Big Daddy Kane
|
| Heavy D, and Eric B
|
| Melody, D-Square
|
| So just throw your hands in the air
|
| Just throw your hands in the air |
| KRS-One is here without a care
|
| And I don’t have NO fears homeboy
|
| So all the suckers out there that wanna test BDP
|
| It’s time to get
|
| Now, here’s what we do on the 48-track board
|
| We look around for the best possible break
|
| And once we find it, we just BREAK.
|
| . |
| or, we just BREAK
|
| There’s two ways to do this, you see what I’m sayin?
|
| If you feel the board, you feel around
|
| We got tracks one to track 48
|
| We find track seven, and break it down!
|
| Okay. |
| this album has been funded
|
| By the Blastmaster KRS-One Fund
|
| Ha ha ha ha ha ha hah!
|
| You know what? |
| We’re gettin
|
| Okay, we gon' play a little game, break it down Doc
|
| Like this, or like THIS
|
| You know what? |
| I used to be a graffiti artist
|
| I used to write KRS-One all over the place
|
| All up in Soundview, in Brooklyn
|
| Then when the cops come for you, ha ha hah
|
| You just get
|
| And another thing:
|
| Me and my crew, we made hit records all over the place
|
| But we left B-Boy Records
|
| And you know what happened after that point?
|
| Ha hah, they just got |