![Mexican War Streets - Beach Slang, mewithoutYou](https://cdn.muztext.com/i/3284756520573925347.jpg)
Date of issue: 07.12.2015
Record label: Big Scary Monsters
Song language: English
Mexican War Streets |
Though by the path I lead |
The passing of time and the pouring of tea |
Are all I’ve lately seen |
O my soul |
Until the temporal bridge be burned |
Until our anchor stocks hold firm |
Where the hands of clocks don’t turn |
O my soul |
May our lips remain discreet |
While your traps are beneath our feet |
But how long before our tails are caught |
By our «free"thought? |
Sugar in the cane, candles low |
Kettle on the flame for the teapot? |
No I tremble at the thought |
Sugar in the cane, candles low |
Southside Flats where the upscale go |
I tremble at the thought! |
I tremble at the thought! |
On the Streets of Mexican Wars |
I battle with the |
Memory of a first fight |
In our contemptible youth |
I «ed White Nights |
Thinking that’d get rid of you |
And waited with a stone in my hand |
But you were quite right: |
Nature had another plan |
(&failed to run it by me) |
Nature had another plan |
Some other surrogate self |
To live in the sediment of so many somebody elses' |
Innumerable lives and you were right: |
It’s not a person who dies |
But worlds die inside us |
Sugar in the cane and the candles are low |
On the West End Bridge looking down at the Ohio River |
I tremble at the thought of what’s often referred to as 'karma.' |
The sugar and the candles are gone |
You panic like a mouse when the lights go on |
(I ADMIT, IT WARMS MY HEART TO WATCH YOUR WORLD FALL APART) |
The colorful hills talked me down from the bridge: |
To heck with all the drugs my parents did |
I’d like to meet whoever said the words we print in red |
With a coin in my teeth on the Mexican War Streets |
Rivers of sadness and mutual need |
In the loud desperation of social routine |
The rock of salvation, lightly esteemed |
And distance surging like oceans between us |
Suspended by strings over rotating wheels |
Via magnets and springs of Carnegie steel |
With representation our fashionable theme |
And unfathomably powerful forces |
Like oceans between us |
We have all the signs we need |
Do we decide not to read? |
My will and those who precede: the relation between |
Is listening beside me |
At night like some seismic machine |
While the metal vibrations of petrified men |
Are etched in translation by pendulum pens |
And the movements of underground plates |
Do nothing to bridge or exacerbate |
Oceans between us |
Name | Year |
---|---|
I Wanna Boi ft. Pwr Bttm | 2016 |
January 1979 | 2003 |
In A Sweater Poorly Knit | |
401K ft. The Fall of Troy | 2016 |
Silencer | 2001 |
The Fox, The Crow And The Cookie | 2008 |
Julia (or, ‘Holy to the LORD’ on the Bells of Horses) | 2018 |
My Exit, Unfair | 2003 |
Born to Raise Hell | 2020 |
Red Cow | 2016 |
Bar No One | 2020 |
Every Thought A Thought Of You | 2008 |
Grist for the Malady Mill | 2015 |
Kicking over Bottles | 2020 |
Punks in a Disco Bar | 2016 |
Torches Together | 2003 |
Gentlemen | 2001 |
Trim It Short ft. Gulfer | 2016 |
Pale Horse | 2015 |
Everything Was Beautiful And Nothing Hurt | 2001 |