| When moonlight drips into the frame
|
| And darkness marks stray souls to claim
|
| He stands in vigil, taking aim
|
| The hour belongs to the Watchword
|
| In shattered halls where pupils sleep
|
| He peers through peepholes, counting sheep
|
| He draws his lens, and with a sweep
|
| The hour belongs to the Watchword
|
| The signal flickers, dark and red
|
| From the buzzbox by your bed
|
| Transmissions of this evening’s dread
|
| And in a flash
|
| Click, click
|
| The hour belongs to the Watchword
|
| When mischief longs you from your cot
|
| And focus twists and shadows plot
|
| He winds, he aims and takes his shot
|
| The hour belongs to the Watchword
|
| Meanwhile, back at the vault
|
| In amber light where prints are traced
|
| He trains a dogged eye
|
| By negatives, he stamps the fleece
|
| And hangs them out to dry
|
| Exposed in baths
|
| Inverted cut
|
| In rows of numbered faces
|
| Developed in observance
|
| Aired as chilling nightly cases
|
| The signal flickers dark and red
|
| From the buzzbox by your bed
|
| Transmissions of this evening’s dread
|
| And in a flash
|
| Click, click
|
| The hour belongs to the Watchword |
| Restless ears should hit the sack
|
| For he holds service on nude backs
|
| And pictures you in white or black
|
| The hour belongs to the Watchword
|
| The hour belongs to the Watchword
|
| Tonight’s case: «Out Beyond the Depths»
|
| It all began with a dame. |