| I’m reclinin' out West, maxin' at the ress
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| Pressed to see my cutie that I call to come caress me
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| Desperate pooh unavailable to check this
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| Not into masturbating yo 'cause that’s some other shit
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| Since I had hit the dry spell I figured I’d manicure my nails
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| Then out the blue I’m interrupted by the bell
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| It was K talkin' bout D
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| «C'mon let’s bounce tonight, Wu-Tang performin' at the Fever
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| And I got the backstage passes, VIP status
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| Tha afterparty’s at the Marriott, we in the night like Gladys»
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| Cool I can do with that
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| Give me 45 so I can wash the pussy cat
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| And marinade the body, hop in Mizarahi
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| Tighten up the afro and turn to superhottie
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| I tell you what, I’ll hit you up soon as I’m ready
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| When I see your Mitsubishi out front we jettin'
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| True honey buns, wanna have fun
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| Unlike a chick who settle for the hit and run, yeah
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| To all tha girls do what you gotta do
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| But it ain’t what you do — it’s how you do it (you do it)
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| Arrivin' at the club like 11:45
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| Scenery was live
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| Mob like a 3−2 center outside, fly rides, the whole shabang
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| You know how Philly hang come time they get extravagant
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| While I was sidetrackeded by the glamour and the glitz
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| Key was chattin' with the bouncer telling' him we on the list
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| Within a split second we escorted through congestion
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| Routine friction, metal detection, all clear as air, no question
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| So we grabbed Kahluas at the bar
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| And head towards the dance section, no hesitation
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| Breeze into the back
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| In the green room where the celebrities was at
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| That’s when the propaganda began to emerge
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| Star stud events must trigger hoochie alerts
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| 'Cause Kia went berserk, diggy low at first
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| Subtle body language actin' like a flirt
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| Tongue stickin' out wit the baby doll pout
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| Talkin' all loud, I’m like what’s dis all about?
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| There go Method Man
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| I’m sayin' what’s up with him?
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| I’m tryna see him fo' real
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| They look good
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| Why you lookin' at me like that?
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| I’m sayin' I got to get mine
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| Fo' real, I got to get mine, okay?
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| Here come the raw maneuver, lewder than imagined
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| Kia aimin' for attention, strivin' for it with a passion
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| Slips out her sarong, started dancing in her thongs
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| Like a bootie song was on, I said «sis you know you wrong
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| See you the reason nigs be screamin' bitches, hoes and tricks
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| I don’t believe you goin' out on that Adina Howard shit
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| Don’t you think these niggas think you hotter than the sun?
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| Even if they talk to you they wanna hit & run
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| And if you schemin' on the cream, boo
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| You ain’t gettin' none, you played from the door
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| With that nut shit you done»
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| Then she gon' look at me and say «yo chill whatever» (whatever)
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| I thought you was my peeps, I said I thought you was together
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| Your actions bounce on all these chicks in here like a reflector
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| I’m tryna school you sis, it’s plain that you don’t know no better
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| But I’m not the one to judge, so do what you gotta do
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| But it ain’t what you do — it’s how you do it (you do it)
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| Yo, true honey buns
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| Wanna have fun
|
| Unlike a chick who settle for the hit and run, yeah
|
| To all the girls do what you gotta do
|
| But it ain’t what you do — it’s how you do it (it's how you do it)
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| (It's how you do it)
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| (It's how you do it)
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| (It's how you do it)
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| (It's how you do it) |