| She say five for the table, ten for the lap
|
| Twenty five a song if we take it to the back
|
| And I said «Damn… tell me what would you do for the rack?»
|
| And she said «Damn… I don’t know if I should answer that»
|
| 'Cause she work hard for that money — work hard for that cash
|
| Work hard for that money — work hard for that cash
|
| I work hard, so she twerk hard, she love shakin' that ass
|
| She work hard for that money — work hard for that cash
|
| Cash…
|
| Girl, you see how many bottles we’ve popped
|
| So don’t stop dropping that ass
|
| Down up, down up, jiggle that back
|
| Drop it to the floor, girl, make that ass clap
|
| If we take it to the back for a stack, it’s a wrap
|
| And you know that — you love hearing that real shit
|
| I love the way that them heels fit
|
| And the way they’re making that ass sit
|
| And you outfit is the dopest
|
| Now take it off, stay focussed
|
| Got a tattoo of your stage name
|
| Them other niggas don’t notice
|
| You killin' hoes with your pole tricks
|
| You work hard or get no tips
|
| You ball hard, I’ve got more whips
|
| And a drug dealer got more chips
|
| And I can’t, I won’t stop… staring at your body
|
| 'Cause it looks so good on the stage
|
| Girl it’s amazing
|
| That’s why you’ve got every nigga in the paint…
|
| She say five for the table, ten for the lap
|
| Twenty five a song if we take it to the back
|
| And I said «Damn… tell me what would you do for the rack?»
|
| And she said «Damn… I don’t know if I should answer that»
|
| 'Cause she work hard for that money — work hard for that cash
|
| Work hard for that money — work hard for that cash
|
| I work hard, so she twerk hard, she love shakin' that ass
|
| She work hard for that money — work hard for that cash
|
| Cash…
|
| New day, new money — more than often
|
| Nowadays my lifestyle is more than costly
|
| Them nights at the Saint, drinkin', so exhausted
|
| No for me, girl, for you — I’m more than bossin'
|
| But girl you’re stunning, Stone Cold Steve Austin
|
| What a Hell of a catch — Calvin Johnson
|
| You belong on the cover, sugar thanks to your mother
|
| Man, need time to recover if we go to the buzzer
|
| Got to know I’m a drummer, fuck it then I’m a beat it
|
| Fuck the feds and the others, but she was happy to meet it
|
| So she wrote down the number in case I wanted to keep it
|
| But I don’t stop at the pass, only counter I needed
|
| Some would call it conceited, but I call it original
|
| Dark and spicy, that line was subliminal
|
| Call me Mr. Clutch, put me in when it’s pivotal
|
| Watch me kill it and leave it, I’m a hell of a criminal
|
| And I can’t, I won’t stop… staring at your body
|
| 'Cause it looks so good on the stage
|
| Girl it’s amazing
|
| That’s why you’ve got every nigga in the paint…
|
| She say five for the table, ten for the lap
|
| Twenty five a song if we take it to the back
|
| And I said «Damn… tell me what would you do for the rack?»
|
| And she said «Damn… I don’t know if I should answer that»
|
| 'Cause she work hard for that money — work hard for that cash
|
| Work hard for that money — work hard for that cash
|
| I work hard, so she twerk hard, she love shakin' that ass
|
| She work hard for that money — work hard for that cash
|
| Cash… |