| RAOUL
|
| Madame Giry, wait.. .
|
| GIRY
|
| Please, Monsieur — I know no more than
|
| anyone else.
|
| RAOUL
|
| That’s not true.
|
| GIRY (uneasily)
|
| Please, Monsieur, don’t ask, there have been too many accidents. |
| ..
|
| RAOUL (ironical)
|
| Accidents?! |
| (She moves off again. He stops her) (desperately) Please,
|
| Madame Giry, for all our sakes. |
| ..
|
| GIRY (She has glanced nervously about her and suddenly deciding to trust him,
|
| cuts in)
|
| Very well. |
| It was years ago. |
| There was a traveling
|
| fair in the city. |
| The gypsies. |
| I was very young, studying to be a ballerina.
|
| One of many living in the dormitories of the opera house.
|
| (There is a flashback of when Madame Giry is still very young and at the
|
| traveling fair)
|
| (The traveling circus)
|
| (Young Madame Giry’s school is taking a fieldtrip to a traveling circus)
|
| Scary woman: See the wonder from the East!
|
| Cruel man. |
| Come. |
| Come. |
| Come inside. |
| Come and see The Devil’s Child.
|
| (They all see Young Erik with a sack over his head, chained in a cage of straw.
|
| He is making a stuffed monkey playing the cymbals like the one on the musical
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| box)
|
| (All the children except for Young Madame Giry laugh at Young Erik)
|
| Cruel man. |
| (Beats Erik with a stick) You damn demon! |
| (Beats) Villain!
|
| (Beats) Ne’er do-well! |
| (Beats) Libertine! |
| (Beats) Dangerous! |
| (Beats) Hideous!
|
| (Beats) Monstrous! |
| (Beats) BEAST! |
| (Beats very hard)
|
| (Young Erik groans in pain on the straw. Young Madame Giry looks sadly at Young
|
| Erik)
|
| Cruel Man. |
| Behold, Mesdames and messieurs, the Devil’s Child! |
| (He takes the
|
| sack off Young Erik’s head, pulls the hair)
|
| (All the kids except Young Madame Giry laugh at him)
|
| (Erik slowly puts the sack back on. When all the children break free,
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| the cruel man begins to count his money coins)
|
| (Young Erik suddenly breaks free, grabs a rope and the chains he was chained
|
| too and strangles the cruel man)
|
| (Erik grabs his stuff monkey and takes Young Madame Giry’s hand and they run
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| out of the traveling circus)
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| Man: Murder!
|
| Policeman: Which way?!
|
| Man: That way! |
| That way!
|
| Policeman: He’s getting away!
|
| (Young Madame Giry and Young Erik run all the way to a window of the Opera
|
| House)
|
| (Young Madame Giry puts Erik in the window)
|
| (The Opera House)
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| GIRY: (Narrating the story) I hid him from the world, and its cruelties.
|
| (Young Madame Giry enters from another part of the room, Young Erik runs to her
|
| and she hides him)
|
| Young Giry: If you stay in here, you are safe.
|
| Young Erik: Thank you so much, young lady.
|
| (It goes back to the real times)
|
| GIRY: He has known nothing else of life since then except this opera house.
|
| I called him Erik. |
| It was his playground and now his artistic domain,
|
| he’s a genius. |
| He’s an architect and designer, he’s composer and a magician.
|
| A genius, Monsieur!
|
| ROUL: But clearly, Madame Giry, genius has turned to madness. |