| RAOUL
 | 
| Madame Giry, wait.. .
 | 
| GIRY
 | 
| Please, Monsieur — I know no more than
 | 
| anyone else.
 | 
| RAOUL
 | 
| That’s not true.
 | 
| GIRY (uneasily)
 | 
| Please, Monsieur, don’t ask, there have been too many accidents. | 
| ..
 | 
| RAOUL (ironical)
 | 
| Accidents?! | 
| (She moves off again. He stops her) (desperately) Please,
 | 
| Madame Giry, for all our sakes. | 
| ..
 | 
| GIRY (She has glanced nervously about her and suddenly deciding to trust him,
 | 
| cuts in)
 | 
| Very well. | 
| It was years ago. | 
| There was a traveling
 | 
| fair in the city. | 
| The gypsies. | 
| I was very young, studying to be a ballerina.
 | 
| One of many living in the dormitories of the opera house.
 | 
| (There is a flashback of when Madame Giry is still very young and at the
 | 
| traveling fair)
 | 
| (The traveling circus)
 | 
| (Young Madame Giry’s school is taking a fieldtrip to a traveling circus)
 | 
| Scary woman: See the wonder from the East!
 | 
| Cruel man. | 
| Come. | 
| Come. | 
| Come inside. | 
| Come and see The Devil’s Child.
 | 
| (They all see Young Erik with a sack over his head, chained in a cage of straw.
 | 
| He is making a stuffed monkey playing the cymbals like the one on the musical
 | 
| box)
 | 
| (All the children except for Young Madame Giry laugh at Young Erik)
 | 
| Cruel man. | 
| (Beats Erik with a stick) You damn demon! | 
| (Beats) Villain!
 | 
| (Beats) Ne’er do-well! | 
| (Beats) Libertine! | 
| (Beats) Dangerous! | 
| (Beats) Hideous!
 | 
| (Beats) Monstrous! | 
| (Beats) BEAST! | 
| (Beats very hard)
 | 
| (Young Erik groans in pain on the straw. Young Madame Giry looks sadly at Young
 | 
| Erik)
 | 
| Cruel Man. | 
| Behold, Mesdames and messieurs, the Devil’s Child! | 
| (He takes the
 | 
| sack off Young Erik’s head, pulls the hair)
 | 
| (All the kids except Young Madame Giry laugh at him)
 | 
| (Erik slowly puts the sack back on. When all the children break free,
 | 
| the cruel man begins to count his money coins)
 | 
| (Young Erik suddenly breaks free, grabs a rope and the chains he was chained
 | 
| too and strangles the cruel man)
 | 
| (Erik grabs his stuff monkey and takes Young Madame Giry’s hand and they run
 | 
| out of the traveling circus)
 | 
| Man: Murder!
 | 
| Policeman: Which way?!
 | 
| Man: That way! | 
| That way!
 | 
| Policeman: He’s getting away!
 | 
| (Young Madame Giry and Young Erik run all the way to a window of the Opera
 | 
| House)
 | 
| (Young Madame Giry puts Erik in the window)
 | 
| (The Opera House)
 | 
| GIRY: (Narrating the story) I hid him from the world, and its cruelties.
 | 
| (Young Madame Giry enters from another part of the room, Young Erik runs to her
 | 
| and she hides him)
 | 
| Young Giry: If you stay in here, you are safe.
 | 
| Young Erik: Thank you so much, young lady.
 | 
| (It goes back to the real times)
 | 
| GIRY: He has known nothing else of life since then except this opera house.
 | 
| I called him Erik. | 
| It was his playground and now his artistic domain,
 | 
| he’s a genius. | 
| He’s an architect and designer, he’s composer and a magician.
 | 
| A genius, Monsieur!
 | 
| ROUL: But clearly, Madame Giry, genius has turned to madness. |