Song information On this page you can read the lyrics of the song Toni Morrison , by - Akua Naru. Song from the album The Miner's Canary, in the genre Рэп и хип-хопRelease date: 19.02.2015
Record label: Orchard
Song language: English
Song information On this page you can read the lyrics of the song Toni Morrison , by - Akua Naru. Song from the album The Miner's Canary, in the genre Рэп и хип-хопToni Morrison |
| My favorite novel by Toni Morrison is «Sula», 'cause I feel like— |
| I remember, in the book «Song of Solomon», one of my favorite books, |
| there was a group of vigilantes called Seven Days, I believe they were called, |
| and they— |
| My favorite Toni Morrison book is still «The Bluest Eyes». |
| every time I read |
| this book— |
| My favorite for Toni Morrison is — |
| «Beloved» |
| My favorite by her would have to «Beloved" — |
| book and «The Mercy" — |
| My favorite Toni Morrison book is «The Bluest Eye" — |
| «Beloved» |
| Used to wonder «Whose little girl am I?» |
| The fifth woman inside, bangin' Simona, Mama’s old 45s |
| score for «The Bluest Eye» |
| Kept they yearnin' low tide until Pecola bought that bird in the mine |
| Most vulnerable kind, black girl, lost and could find |
| In that double conscious outlined by Du Bois in his prime |
| Who heard us cry when the dawn told us black was a crime? |
| Arrest your walk with that sword in your spine |
| , tragic victim of time, rewind the memory |
| Collective genetics took you to write that simile |
| Inscribe the cage, find joy through the pain |
| And Frankie Beverly, trapped in the maze, made niggas and slaves |
| and maids made to lay a made bed |
| Spread legs, master’s entertainment |
| Prescribed invisible lives till you reframed it |
| Denied the white gaze, another brush to paint with |
| How can one hand hold the pen |
| One pen hold the people? |
| One hand hold the pen (Uh) |
| One pen hold the people (One hand, one pen, uh) |
| How can one hand hold the pen (Uh, one hand) |
| One pen hold the people? |
| (One pen, uh) |
| One hand hold the pen (Uh) |
| One pen hold the people (Uh, yo, uh, yo) (Toni Morrison) |
| Now, though the world was three-fifths and fractured |
| We whole and main characters |
| Female protagonists, centralized blackness |
| That «Tar Baby», that «Jazz» riff that came after |
| That Shadrack horror when war left us shattered |
| A literary photograph capture born |
| Before the wounded, was you who knew the magic from the rain |
| The thunder, the blood, the delightful compassion |
| Showed us that bottom was the top, re-imagine, yes |
| See how you write with the hands of God |
| Layers, facades, calm, poised, Phylicia Rashad |
| Reading your storm over us all |
| Mother and daughter bonds, braided and torn |
| All the chaos, Sula watched the bird from the front yard |
| Mother of metaphor, the height of Zeus be your lexicon |
| «Song of Solomon» songs go on |
| A Pulitzer, Nobel Prize in human form |
| The livin', the dead, you honored us all |
| How can one hand hold the pen |
| One pen hold the people? |
| (Toni, huh) |
| One hand hold the pen |
| One pen hold the people (Uh) |
| How can one hand hold the pen |
| One pen hold the people? |
| One hand hold the pen |
| One pen hold the people (Toni Morrison) |
| How can one hand hold the pen |
| One pen hold the people? |
| (Uh) |
| One hand hold the pen |
| One pen hold the people |
| How can one hand hold the pen |
| One pen hold the people? |
| One hand hold the pen |
| One pen hold the people (Toni Morrison) |
| Toni Morrison |
| One hand, one pen, Toni Morrison, uh |
| One hand, one pen, the people (Toni Morrison) |
| Toni Morrison is so important because her writing is a visualization into the |
| depth of meaning of the black experience. |
| She uses the rich mythology and |
| metaphors of the African-American experience to anchor and enrich her personal |
| imagery in the book. |
| Her work demonstrates both the uniqueness and the |
| universality of African-American life. |
| Her work heals the disrupted ancestral |
| energies, heals the torn ancestral soul, and reveals the beauty, vigor, pathos, |
| and durability of African-American life and culture |
| How can one hand hold the pen |
| One pen hold the people? |
| (Uh) |
| One hand hold the pen |
| One pen hold the people (Toni Morrison) |
| How can one hand hold the pen |
| One pen hold the people? |
| (Toni Morrison) |
| One hand hold the pen |
| One pen hold the people (Toni Morrison) |
| How can one hand hold the pen |
| One pen hold the people? |
| One hand hold the pen |
| One pen hold the people (Uh) |
| How can one hand hold the pen |
| One pen hold the people? |
| (Uh) |
| One hand hold the pen |
| One pen hold the people (Toni Morrison) |
| Toni Morrison |
| Thank you, thank you, thank you, thank you, thank you, thank you, thank you |
| Toni Morrison |
| Thank you |
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|---|---|
| Run Away | 2011 |
| As the World Turns ft. Akua Naru, Rah Digga | 2015 |
| The Backflip | 2011 |
| Boom Bap Back ft. Dynasty, SA-ROC | 2015 |
| The Jones ft. Mic Donet | 2011 |
| Seraphim ft. Fetsum | 2015 |
| Heard | 2015 |
| Canary Dreams ft. Cody ChesnuTT | 2015 |
| Mr. Brownskin | 2015 |
| The Dark | 2015 |
| (Love) Right Now | 2018 |
| Joy | 2018 |
| Black Genius | 2018 |
| Sweat | 2018 |
| Serena | 2018 |
| My Mother's Daughter | 2017 |
| Kaya | 2018 |
| The Offering | 2018 |
| Baldwin's Crown | 2018 |
| Black Future | 2018 |