| «I would like to play a, little tune I just composed not so long ago»
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| «Ms. |
| Billie, Ms. Billie, Ms. Billie Holiday»
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| «Byrd?»
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| «The music called jazz»
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| Its roots are in the sounds of the African
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| Or should I say the mother, bringin' us back again
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| From the drummin' on the Congo
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| We came with a strong flow and continue to grow
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| Feet move to the beat of the? |
| t'balo?
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| Now, dig the story and follow
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| For then it landed, on American soil
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| Through the sweat, the blood and the toil
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| Hear «Praise the Lord,» shouted on chain gangs
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| Pain they felt, but it helped them to maintain
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| Scott Joplin’s rags, Bessie Smith’s blues
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| St. Louis blues, they were all the news
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| Ringin' smooth, in all the listeners' ears
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| Fulfillin' the needs, and plantin' the seeds of a jazz thing
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| King Oliver’s group was a train comin' through
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| To Chicago, bringin' the New Orleans groove
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| And when Satchmo blew, the audience knew
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| Basin Street Blues was no whorehouse tune
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| It was music, great to dance to
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| Great to romance to, with a lot to say to you
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| Relayin' a message, revealin' the essence of a jazz thing
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| In the 40's came be-bop, the first be-bop
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| The real be-bop, so let me talk
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| About Diz' and Bird, givin' the word
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| Definin' how a beat could be so complete
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| Playin' with ferocity, thinkin' with velocity
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| About ornithology, or anthropology
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| And even Epistrophy, and this is real history
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| Thelonious Monk, a melodious thunk
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| No mistakes were made with the notes he played
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| His conception, was recondite
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| A star glowin' bright among dim lights
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| The critics did cite that he sounded alright
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| And Charlie Mingus, such nimble fingers
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| Droppin' the bass all over the place
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| And Max Roach, cymbals sockin'
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| Bass drum talkin', snare drum rockin'
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| Restructurin' the metaphysics of a jazz thing
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| John Coltrane, a Man Supreme
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| He was the cream, he was the wise one
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| The impression of Afro Blue
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| And of the promise that was not kept
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| He was a Giant Step
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| And there was Ornette Coleman, he was another soul man
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| The original invisible, playin' great music
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| I wonder why the bankers couldn’t use it
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| Now, listen, see
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| The real mystery is how music history
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| Created by Whiteman or any other white man
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| That pretended he originated
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| And contended that he innovated a jazz thing
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| (Of course, we know who can really blow)
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| Scheamin' on the meanin' of a jazz thing
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| And this music ain’t dead, so don’t be misled
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| By those who said that jazz is on its deathbed
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| 'Cause when Betty Carter sings a song
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| Ain’t nuttin' goin' on but simply good music
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| And you won’t refuse it
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| She’s takin' her time, makin' the nuances rhyme
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| Sonny Rollins, tenor saxophone
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| With a big old tone, recitin' poems
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| With notes as words, and haven’t you heard
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| (NEXT STOP BUTTER, RIGHT PAST OLEO)
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| Now there’s young cats blowin'
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| And more and more people, yes, they will be knowin'
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| Jazz ain’t the past, this music’s gonna last
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| And as the facts unfold, remember who foretold
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| The 90's, will be the decade of a jazz thing
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| A jazz thing |