| John Lee, your headache’s growing, the cold wind’s blowing
|
| But the sea’s without a ripple
|
| John Lee, your forehead’s damp, your muscles cramp
|
| And the sea can’t use a cripple
|
| John Lee, you’re turning around your fate again
|
| Oh, John Lee
|
| John Lee, you’re turning around your fate again
|
| Oh, John Lee
|
| John Lee’s been made a freeman, his heart’s a seaman
|
| But his flesh won’t make a sailor
|
| Working in a big hotel, waiting for the bell
|
| That’s ringing for his labour
|
| John Lee, your chances are good, you better touch wood
|
| We think things must get better
|
| John Lee, you’ve a friend so true, she wants to help you
|
| Miss Keyes has sent a letter
|
| «Dear John, come and work at The Glen, just write me when
|
| And I’ll send someone to meet you»
|
| John’s gone to where he started from, he’s not worked long, just beginning to
|
| belong
|
| «It hasn’t been a very good day, the missus wants to halve my pay
|
| Close the door and douse the light, it’s quiet at night when he’s tucked in
|
| tight
|
| Sometimes I feel, when they’re all in bed, it’s almost like the whole world’s
|
| dead
|
| So I lay me down to sleep, I pray thee Lord my soul to keep»
|
| «The customary quiet of Babbacombe, a residential suburb of
|
| Torquay, was greatly disturbed early on Saturday morning
|
| And the peaceful inhabitants were aroused to a state of intense
|
| Alarm and terror by one of the greatest tragedies
|
| That human devilment could plan or human deed could perpe-
|
| Trate. |
| The name of the victim was Miss Emma Anne Whitehead
|
| Keyes, an elderly lady of some sixty-eight years. |
| The name
|
| Of her home and the scene of her tragedy, was 'The Glen'. |
| She
|
| Was found early in the morning, lying on her dining room
|
| Floor. |
| Her throat had been horribly cut and there were three
|
| Wounds on her head. |
| It was evident that her murderer had also
|
| Attempted to burn the corpse.» |