Song information On this page you can read the lyrics of the song Love Chronicles , by - Al Stewart. Song from the album To Whom It May Concern, in the genre Фолк-рокRelease date: 31.12.2020
Record label: 2021 Revolver
Song language: English
Song information On this page you can read the lyrics of the song Love Chronicles , by - Al Stewart. Song from the album To Whom It May Concern, in the genre Фолк-рокLove Chronicles |
| I can remember the first girl that I did love |
| It was Stephanie |
| In kindergarten arithmetic classes she used to |
| Sit next to me |
| I’d pass her sticky sweets under the table |
| Where the teacher couldn’t see |
| Although she wouldn’t remember me now |
| Sometimes I wonder where she can be |
| I can remember the first girl I kissed |
| It was Christine when I was ten |
| I’d been told we were moving away |
| I thought I’d never see her again |
| Oh don’t forget me |
| I’ll be back when they let me |
| Before you learn how to lie when you’re leaving |
| Love is so much easier then |
| And at school would you believe three hundred boys |
| And no girls at all |
| But you’re a fool if you should leave |
| Just think of the joys of rugby football |
| And prep in the morning and Brylcreem and acne |
| And cross-country running to kill evil thoughts |
| I’m surprised that I survived |
| I ran ten thousand miles with my back to the wall |
| I can remember the first girl that I made love to |
| It was in a park |
| In the lower pleasure gardens in Bournemouth |
| In summer just after dark |
| My mind was reeling: Oh what a feeling |
| I missed the bus and walked twelve miles home |
| And it really didn’t seem far |
| And all through my seventeenth summer |
| Running together from crowds and ties |
| Taking our clothes off and feeling each other |
| With fingers and senses and mouths and eyes |
| Incurring the glances of old disapproval |
| From elderly local inhabitant’s eyes |
| Oh time, time we hardly even knew you |
| You didn’t touch us with your lies |
| In the halcyon days of my late adolescence |
| My goal seemed clearly in sight |
| Playing electric guitar with a beat group |
| We set the ballrooms alight |
| Camping it up for the dyed blonde receptionists |
| Who told us we were al-ri-yi-yight |
| On an ego trip for a teenage superstar |
| On thirty shillings a nigh-yight |
| And so it fell that I came up to London |
| To look for fortune and fame |
| Starry eyed in my seaside successes |
| And much too sure of the game |
| First girl I met there I thought I’d get there |
| But the first girl was nearly the last girl |
| She left my eyes in the drain |
| She sat on my floor in the dead of the night |
| Rolling a joint and looking round for a light |
| Her clothes were so black and her face was so white |
| How could I know what was right? |
| And I sat all huddled upon my bed |
| Watching her in my innocence |
| And it was no sense at all, but too much sense |
| That took me to the bridge of impotence |
| Oh Artaud’s anthology lay spread on the floor |
| And the thoughts that she gave me |
| I’d not met before |
| And stranded half hypnotised |
| I watched her in awe |
| Of everything that she stood for |
| And I wanted more than anything to be like her with every sense |
| But it was no sense at all, but too much sense |
| That took me to the bridge of impotence |
| She came over to me and kissed me in play |
| Taking my hand between her legs as she lay |
| And she looked in my eyes but I turned them away |
| Finding no words fit to say |
| And I hated myself, but could not move |
| Shattered in my confidence |
| But it was no sense at all, but too much sense |
| That took me to the bridge of impotence |
| Now the stare of the lightbulb tore holes in my brain |
| As she got up in the silence that hung like a stain |
| And I wanted to speak, or to call out her name |
| But how could I begin to explain? |
| And my prosecuting room still holds |
| A strand of her hair in evidence |
| But it was no sense at all, but too much sense |
| That took me to the bridge of impotence |
| Oh I still think about her when the night fills with rain |
| And speaks in its voices uneasy and vain |
| And I think were I maybe to find her again |
| Oh I’d probably see her more plain |
| And I should have known she was just like me |
| It was after all only common-sense |
| But it was no sense at all, but too much sense |
| That took me to the bridge of impotence |
| But it was no sense at all, but too much sense |
| That took me to the bridge of impotence |
| At first I didn’t go out much at all |
| I just stayed at home in my chains |
| Picking over the threads of my confidence |
| And searching for the remains |
| And when I couldn’t stand any more of it |
| Going down to a club |
| Mixing in with the sounds and the crowds |
| I let the music cover me up |
| And only, lonely, the harlequins and painted phonies |
| Pick their ways, through the haze |
| Of highs and lows and blues |
| And all that I could do was to pick my way to you |
| Though I didn’t tell you |
| You were just a thing to prove |
| I was hungry when found you, but I’m alright now |
| They sigh, they lie, the refugees and superheroes |
| On ice, so nice to see you, what’s your name? |
| And all that I could do was to say the same to you |
| Take you for the moment, though the moment wasn’t true |
| But I was hungry when I found you and I’m alright now |
| Though the street lamp cut through the curfew |
| It shed no light on our mind |
| It would have been so easy to love you |
| At any other time |
| Only, lonely, you came to me the night hung coldly |
| In your eyes, some other time I might have stayed with you |
| But all that I could do was to turn around to you |
| Thanks for what you gave me now it’s time to say «Adieu» |
| I was hungry when I found you but I’m alright now |
| Ba ba ba alright now |
| And so it came that I stood disillusioned |
| By everything I’d been told |
| I just didn’t believe love existed |
| They were all just digging for gold |
| Widows and bankers and typists and businessmen |
| Loved each other they said |
| But all it was though was just a manoeuvre |
| The quickest way into bed |
| And so I followed the others' example |
| And jumped into the melee |
| In the hunting grounds of Earls Court and Swiss Cottage |
| I did my best to get laid |
| Beer cans and parties, deb girls and arties |
| Bouncing around in the social confusion |
| Missing and making the grade |
| The very first time I must confess |
| I thought you’d be like all of the rest |
| And we’d be strangers once again |
| By the time we were dressed |
| But when you’d smoked your cigarette |
| And talked of some people that we’d met |
| I found myself asking was it set |
| Did you have to go yet |
| And so you laughed and then kissed me |
| And stayed for the whole weekend |
| Although the bed was so narrow |
| We had to sleep end to end |
| And so the weeks passed through my brain |
| In their dadaistic chain |
| I found myself seeing you again, and again and again |
| And all you gave you gave it free |
| Asking for nothing back from me |
| You gave yourself unselfishly as a part of me |
| And where I thought that just plucking |
| The fruits of the bed was enough |
| It grew to be less like fucking |
| And more like making love |
| Of all the girls I ever knew |
| Some loved and some denied me |
| And all the words I ever said |
| Have been no use to hide me |
| And all the songs I ever sung |
| Each one of them untied me |
| And all the girls I ever loved |
| Have left themselves inside me |
| Name | Year |
|---|---|
| Year Of The Cat | 2008 |
| Time Passages | 1991 |
| On The Border | 2008 |
| Turn Into Earth | 1997 |
| The Candidate | 2003 |
| Antarctica | 1997 |
| Red Toupee | 1997 |
| License To Steal | 1997 |
| Where Are They Now | 1997 |
| Last Days Of The Century | 1997 |
| Bad Reputation | 1997 |
| Ghostly Horses Of The Plain | 1997 |
| Josephine Baker | 2008 |
| King Of Portugal | 1997 |
| Real And Unreal | 1997 |
| Nostradamus ft. Peter White | 1991 |
| Ashes Are Burning ft. Al Stewart, Renaissance | 2015 |
| Electric Los Angeles Sunset | 2008 |
| Marion The Chatelaine | 1995 |
| House Of Clocks | 2006 |