| Well, she’s not bleeding on the ballroom floor
|
| Just for the attention.
|
| Cause that’s just ridiculous… ly on.
|
| Well, she sure is going to get it Here’s the setting:
|
| Fashion magazines line the walls, now
|
| The walls line the bullet holes
|
| Have some composure
|
| Where is your posture?
|
| Oh, no, no You’re pulling the trigger
|
| Pulling the trigger
|
| All wrong
|
| Have some composure
|
| Where is your posture?
|
| Oh, no, no You’re pulling the trigger
|
| Pulling the trigger
|
| All wrong
|
| Give me envy, give me malice, give me a-a-attention
|
| Give me envy, give me malice, baby, give me a break!
|
| When I say «Shotgun», you say «Wedding»
|
| «Shotgun», «Wedding», «Shotgun», «Wedding»
|
| She didn’t choose this role
|
| But she’ll play it and make it sincere
|
| So you cry, you cry
|
| (Give me a break)
|
| But they believe it from the tears
|
| And the teeth right down to the blood
|
| At her feet
|
| Boys will be boys
|
| Hiding in estrogen and wearing Aubergine Dreams
|
| (Give me a break)
|
| Have some composure
|
| Where is your posture?
|
| Oh, no, no You’re pulling the trigger
|
| Pulling the trigger
|
| All wrong
|
| Have some composure
|
| Where is your posture?
|
| Oh, no, no You’re pulling the trigger
|
| Pulling the trigger
|
| All wrong
|
| Come on this is screaming «Photo op"op…
|
| Come on, come on This is screaming, this is screaming
|
| This is screaming «Photo op»
|
| Boys will be boys, baby
|
| Boys will be boys
|
| Boys will be boys, baby
|
| Boys will be boys
|
| Give me envy, give me malice, give me a-a-attention
|
| Give me envy, give me malice, baby, give me a break!
|
| When I say «Shotgun», you say «Wedding»
|
| «Shotgun», «Wedding», «Shotgun», «Wedding»
|
| Boys will be boys
|
| Hiding in estrogen and boys will be boys
|
| Boys will be boys
|
| Hiding in estrogen and wearing Aubergine Dreams |